Sci-Fi-O-Rama

Selected Sci-Fi & Fantasy Book Covers Part 1

May 6th, 2013 | Categories: Adrian Chesterman | Art | Barbara Remmington | David Pelham | Dean Ellis | Fantasy | Graphics | Horror | Ian Miller | Illustration | Peter Max | Peter Tybus | Retro

'Nightmare Blue' Art by Justin Todd 1975

Zipping up my moonboots and going back to the roots here with a varied selection of retro SF and Fantasy book art. Sci-Fi-O-Rama was pretty much built upon the back of posting forgotten book and games art, so with a renaissance in blog activity what better than to revisit the archives and excerpt another sampler.

What’s most fascinating with each of these examples is though the whole might not always fully hit the mark there’s always something of interest or worthy for reference. This then might be a style of colouring, a technique in rendering, the choice and application of a typeface, or even something as obscure as the design of a motif. In short even the most subtle fragment of detailing can flick a creative switch, it’s all about your own imagination. That isn’t however to say that every Sci-Fi book cover has merit – au contraire – they most certainly do not. But that’s what we’re here for, to filter and serve only the very finest…

In putting this (abridged) selection together we’re go revisit several of the artists featured at Sci-Fi-O-Rama before, people who defined and shaped the genre such as David Pelham, Dean Ellis, Ian Miller and others perhaps slightly less well known such Adrian Chesterman or Peter Tybus. The majority of covers here have come via my Flickr favourites feed and prior to that a Flickr group I’ve mentioned before, the simply titled ‘Sci-Fi Books‘ pool. Of course these days with tumblr and pinterest and the ever evolving Google image search theres a multitude of ways to sophistically search for this kind of art, but I would say the crowd sourced ‘Sci-Fi Books’ collection still represents the best entry point. As such I recommend that as the first stop on the road for further research.

Lets begin with the art and notes, starting with the header image….

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‘Nightmare Blue’ Art by Justin Todd 1975 (top of post)

As is customary I always load the post head with the most arresting image of the pack, so what to say about this one? Hmmm… Well how about for starters it’s bloody mental. Supremely sinister and rendered in an unusual very idiosyncratic style, this is the work of British Artist Justin Todd. Something about it is strangely very contemporary, but in fact it dates from 1975 and so is actually slightly older than your site author.

Todd, an artist I’ve only just come across, is a classically trained illustrator he lectured Illustration at Brighton University in the 1960′s along side Raymond Briggs (The Snow Man, When The Wind Blows). Someone I’ve earmarked to revisit, for now you can read a little more on him here at arts.brighton.ac.uk.

The story by the way revolves around a highly addictive drug ‘Nightmare Blue’ whose users die without another hit… I’ll just point out I haven’t actually read any of the books featured here, so I’ll add a little snippet like this with each cover.

'Cinnabar' Peter Goodfellow 1978

‘Cinnabar’ Peter Goodfellow 1978

This is one of those slightly abstract airbrush type covers so popular in the 70′s,  the indeterminable sense of scale and swathes of cobalt blues lend an appropriate otherworldly theme. This is English artist Peter Goodfellow’s depiction of Cinnabar, a city at the centre of’ time.

The book is actually collection of short stories based around this would be futuristic utopia, I believe some which may of been printed in the legendary OMNI magazine which I’ve posted about way back when. Interestingly after forging a career Illustrating book covers, Goodfellow would move to become a highly regarded landscape painter in Scotland, that future path perhaps hinted at here by the covers distant snowcapped mountains.

Read a little more about Peter Goodfellow here.

'Frankenstein Unbound'  Art by Paul Bacon 1975

‘Frankenstein Unbound’  Art by Paul Bacon 1975

The cover of Brian Aldiss’s ‘Frankenstein Unbound’ comes complete with an appended $1 mark scrawled on the monsters temple. Ignoring the graffiti then, and this slick inked illustration is the work of American graphic designer and Illustrator Paul Bacon. Love the subtle shift in hues and the way the grained texture of the heavy watercolour paper comes though. This style is in fact very reminiscent of Micheal Foreman, who illustrated the original Erik the Viking book, that was featured here a little while back.

Again somewhat embarrassingly this was the first I’d actually heard of Paul Bacon, although I’m not entirely sure how as I am familiar with some of his work. Perhaps you are too? Bacon created the iconic first edition covers for some of the 20th century’s most important novels including Ken Kesey’s ‘One flew over the Cuckoo’s Nest‘, Kurt Vonnegut, Jr.’s ‘Slaughterhouse-Five‘ and the legendary ‘Catch 22‘ by Joseph Heller (love that book). Read a little more about Paul Bacon at Wikipedia.

A quick story synopsis: Time traveling 21st American Joe Bodenland finds himself with Byron and Shelley in the famous villa on the shore of Lake Geneva. More fantastically, he finds himself face to face with a real Frankenstein. Sounds pretty good, and indeed in 1990 was adapted to the big screen with no other than Roger Corman at the helm, the undisputed heavyweight champ of cult cinema. Frankenstein Unbound stars staring John Hurt, Bridget Fonda and Raul Julia check it at IMDB.

' The Incandescent Ones' - Adrian Chesterman

‘ The Incandescent Ones’ – Adrian Chesterman

This sinister looking chromed robotic figure is the work of Adrian Chesterman another artist who’s popped up here before. Chesterman, an American artist produced a series of these somewhat warped airbrushed covers for Penguin Science Fiction during the late 70′s and Early 80′s. It’s a look that’s quite distinguishable being characterised by exceptional costume styling and rendered with just the right amount of highlighting sheen. Above is a fine demonstration of these traits, and as with all Chesterman’s covers is underpinned by a deep love for the subject matter.

Also of note is that despite being a (one assumes) being from the future, it’s also impossible to escape the influence of the present or what is now the past. As such Chesterman’s work contains subtle visual clues that reflect the times; a touch of Disco here, a splash of ‘Simon Says’ and of course the inevitable Starwars references.

Definitely a favourite of mine, check out the complete set of Adrian Chesterman cover’s over at the excellent Penguin Science Fiction website.

A quick note the on the book itself and this one sounds perhaps targeted towards a younger adult demographic. A young art student receives a cryptic message that is to lead him on to a series of startling adventures…

'Times Last Gift'  Art by Peter Tybus  1975

‘Times Last Gift’  Art by Peter Tybus  1975

A rainbow coloured somewhat fauvist cover from Peter Tybus this one dating from 1975. The story, if you hadn’t of guessed revolves around time travel.

Tybus is something of a Sci-Fi-O-Rama enigma, and there is little or no digital footprint of him beyond a series of magazine and book illustrations dating from the 1970s. Indeed the top search result listed by google is in fact a Sci-Fi-O-Rama’s past feature on him. Anyway there’s always alot of love here for his iridescent style that’s also reminiscent of the work of  David Pelham, of course, also a Penguin Sci-Fi Cover illustrator.

If you do have more info on Peter Tybus do let us know, it’d be great to one day run an expanded feature…

'R is for Rocket' cover art by Ian Miller

‘R is for Rocket’ cover art by Ian Miller

A collection of Short Stories penned by Ray Bradbury. This cover is the unmistakable work of British illustrator and blog favourite Ian Miller, featured a good few times before. Millers work is a demonstration in ornate crafting finished with laser guided precision and is juxtaposed into chaotic compositions swathed with wild gothic stylings. This is the definition of frenetic, never a moment will your eye rest upon Ian’s work, such is demonstrated above. Also take note of a hawk-eyed passion for architectural and geometric detailing.

Miller doesn’t really do Sci-fi or Fantasy, the work is simultaneously both and neither, and of course is all the better for it. If you are unfamiliar with his work and intrigued (you should be) why not have a browse back through past entries or check his official website ian-miller.org.

'The Menzentian Gate' cover art Barbara Remmington

‘The Menzentian Gate’ (Year Unknown)

The Menzentian Gate is a fantasy novel, penned in 1958 and is part of whats known as the Zimiamvian Trilogy. The saga fact loosely linked to Eddison’s more famous work ‘ The Worm Ouroborosfeatured here way back in 2008.

The cover is by Barbara Remmington an American artist and Illustrator most famous for her Ballatine Books first edition covers for Lord of the Rings. It’s a colourful style of work reminiscent perhaps of that Bayeux tapestry  mode of visual story telling, and busy composition loaded with clues and character. Certainly captures the ethos of what a fantasy book should like, and the Dragon/Serpent looks fantastic.

Der Himmel uber Pern Cover

Der Himmel über Pern

From the dragon that devours its own tail to one thats shrouds an astronaut. Lets not beat about the bush here, this cover is tarnished by some feeble typesetting. But lets clone stamp that out of the way and concentrate on the artwork. Judging by the creatures sinister almost demonic appearance I’m guessing this could be the work of Wayne Barlowe or possibly Chris Achilleos, both masters in the art of fashioning evil looking winged reptilian beasts. It may well be however that it’s the work of someone else entirely, please post if you know. Aslo are dragons actually reptilian?  If I ever see one I’ll be sure to ask.

The German title translates as ‘The Skies of Pern’ a science fiction novel by the American-Irish author Anne McCaffrey. The story is just one of a series set on the mythical world of Pern and the concept of Dragon Rider’s, hence the cover art.

Farmer Giles of Ham (Swedish Cover)

‘Gillis Bonde från Ham’ (Farmer Giles of Ham) – 1970 by Rolf Lagerson

Another Dragon here, and a swerve towards decidedly lighter material. This is cover for a 1970 Swedish edition of the  J. R. R. Tolkien children’s book ‘Farmer Giles of Ham’. Tolkien originally wrote the story of Farmer Giles and his encounters with the wily Dragon Chrysophylax (great name) back in 1939 but it wasn’t to be published until 1949.

Lovely illustration from Rolf Lagerson which I came across by chance whilst pin-balling around various Pinterest boards. Drilling through to source to uncover ‘s wonderful Illustration blog ‘Animalarium‘. Animalarium put simply is a a vast resource of illustrated animal imagery, best summarised by it’s own simple strapline: “Animals as an endless source of creative inspiration”.

Check it out: www.theanimalarium.blogspot.co.uk. Also worth a look a collection of Rolf Largerson’s Illustration at Flickr.

Dean Ellis - The Tar-Aiym Krang

‘The Tar-Aiym Krang’ art by Dean Ellis 1972

Back up to Sci-Fi and here’s another taster from a prolific genre Illustrator, the late Dean Ellis. I believe this is the seventh appearance on Sci-Fi-O-Rama of an Ellis Illustration, all are characterised with a highly distinctive almost classical style, similar in many ways to the work of space art pioneer Chesley Bonestell. Beautiful renderings of distant worlds and the inky black star-fields the lay within, Ellis’s work is a wash with soft hues and subtle shading.

If it’s your first time viewing a Dean Ellis cover I certainly recommend taking the time to study more
www.sci-fi-o-rama.com/category/artist/dean-ellis

The book itself; ‘The Tar-Aiym Krang’ sounds like your classic space opera fare, and centres on young orphan and thief  known as ‘Flinx ‘ who comes cross a fabled star map…

Empire Of The Atom

‘Empire of The Atom’ 1974 (Designer Unknown)

An interesting typographic solution with a smart colour schemes forms the cover for a 70′s edition of Van Vogt’s 1957 novel. Empire of the Atom caused something of a stir at the time due to similarities with Robert Graves’s Claudius stories. Having read neither, I couldn’t possibly pass judgement! Slick graphics though proving minimal jacket sleeves such as these can have just as much impact…

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Well once again, what started out as mini post idea and a brief scan through Flickr has completely snowballed out of control into another creaking behemoth type article. This one is playing out like a Sci-Fi-O-Rama Who’s Who, and there’s of course many more artists I can and will feature. However, I’m slightly conscious of post length and attention spans, not least of which my own! so I’m going to sever the post here and conclude with a Part 2…

In the Meantime, be sure to check out the following resources….

The Art of Penguin Science Fiction

Sci-Fi-O-Rama Flickr Favourites

Flickr Sci-Fi Books Pool

Back soon….

 

Sci-Fi-O-Rama 2013 Round Up (1)

Jan 15th, 2013 | Categories: Art | Fantasy | Fashion | Graphics | Illustration | Jasper Goodall | Low Palette | Martin Ansin | Psychedelic | Sci-Fi | Silence Television | Tyler Stout | Vincent Fournier

Silence Televison - Back To The Future II

Lets start 2013 with something of a round up. A quick reality check, refresh, and splash of Eau de toilette. 

What we have here then is a brief sampler straight from the Sci-Fi-O-Rama barometer, a long awaited update on a selection of the finest, past featured contemporary artists.

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Silence Televison

We begin this post sandwiched between the wonderful work of Peruvian Designer and Illustrator Gianmarco Magnani, better known in design circles as Silence Televsion. Heading the article is a simply stunning metallic screenprint celebrating Robert Zemeckis’s 1989 blockbusting sequel ’Back to the Future II’, a recent commission for Mondo, whom we have of course interviewed before, In fact Mondo is a common theme here as you’ll see…

The Mondo Screenprint alas is long since sold out, though I imagine as with other Mondo material they’ll circulate occasionally in eBay (set up a watched search).  What I particularly love about this DeLorean DMC-12 rendering, aside from the typical hyper detail is of course the angle, admittedly it’s a while since I last saw the film, but I can’t remember ever seeing a shot of the car at this viewpoint, can you?

Just to further extend upon some of the details; chipped and scratched paint, an actual real world design flaw the short lived car manufacturer was infamously haunted by. For me though the mastery of the illustration lies within the assorted wiring & tubing that circumnavigates the vehicle slivering inside and out. Designing this mayhem must surely be the most enthralling part, techno illustration with a distinctly psychedelic edge. All of this of course is similar in ethos to the work Japanese cyberpunk maestro Katsuhiro Otomo of whom Gianmarco pays tribute too below.

Silence Television - Akira

‘Akira’ developed for Mondo Gallery

Once again this is another Mondo commissioned limited edition screenprint, a beautiful design that’s very true to the styling of the Otomo originals. For myself as a teenager Akira offered probably the most complete escapist Sci-Fi, but admittedly as 36 year old I’ve paid less attention recently.  Studying this piece It’s strikes me that I never realised how very 80′s it all is, particularly Kaneda’s jacket with it’s asymmetric fasteners, power shoulder padding and oversized collars. It’s construction presumably would be red leather, though dyed suede and corduroy could work too… anyway I digress!

I hope to bring you more from both Gianmarco Magnani and Katsuhiro Otomo this year, in the meantime it’s certainly worth bookmarking and tracking the Silence Television blog.

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Tyler Stout

Continuing with the Mondo related artists theme, here’s a taster of the work of Illustrator Tyler Stout, another master of deadeye minutia  whose style is set apart by a more frenetic edge,  clearly seen below with this Gremlins 2 inspired sample. This T Shirt print  - at time of press – is still available if you follow this link to the Mondo Store.  Just a quick note on the original Gremlins movie, IMHO it’s got to be one the best Christmas movies no? for me it’s up there with Die hard. Bollocks to It’s a Wonderful Life…

Tyler Stout - Gremlins 2

‘Berserker’

Below we have another classy movie led illustration featuring probably the best helmet ever designed for the silver screen, which appeared of course in quite possibly the greatest sci-fi film ever made. Alien, what more do you need to know? Actually one thing I’m not 100% sure on who the character actually is, the title reads simply ‘Navigator’. Well nothing wrong with a little mystery I guess!

As a quick sidenote it’s nice to see Tyler has included the original Weyland Yutani winged shoulder patch, this of course was orginally designed by John Mollo whom I profiled mid 2011 (Oscar winning Starwars costume designer). If you’ve not had a look you can check that post out here.

Tyler Stout - Aliens

‘Navigator’

For more information on Tyler Stout visit his site & shop here at www.tstout.com, or see a selection of his work featured as part of the Sci-Fi-O-Rama special feature on Mondo.

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Martin Ansin

Staying with the Mondo connection we move on towards Martin Ansin an artist I’ve somehow managed to not include on Sci-Fi-O-Rama  before (ok, admittedly I’ve been slack of late). Here the subject matter for this limited edition screenprint is Terry Gilliam’s ‘Brazil‘, the classic dystopian satire that was released in cinemas back in 1985. With regards to the print, lets start by saying it doesn’t get much better than this; composition, mood, colouring and of course the rendering itself are all as close to perfection as one might dare to quantify. Love the diffused texturing, really helps to bring the whole thing to life. I’ve included the poster and two close ups of the detail. Wow!

Martin Ansin - Brazil

Martin Ansin - Brazil

Martin Ansin - Brazil

Terry Gilliam’s ‘Brazil’

So just art from a single ‘super sample’ here, Martin is definitely someone I wish to profile properly, in the meantime though you can marvel at more from his gloriously rich and expansive portfolio via martinansin.com - utterly, utterly enviable!

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Jasper Goodall

Moving out beyond Mondo territory we home in upon Jasper Goodall another personal  favourite of mine, and of whom I featured back in 2011 (you can read that here). I’ve chosen a couple of fairly recent images via his site. Note that upo visiting the home page is in fact a blog reel so do  be sure to scroll down and view the perfect balance between lavish commercial illustration and personal projects. I’ve pulled out a couple of examples of which I’ll annotate below.

Jasper Goodall - Druck Mask

‘Druck Berlin’ 2011

Here we have an image that totally encapsulates the essence  of what Jasper does best  - sublime beauty with a gleefully sinister edge – a totally mesmorising style. This offset 2 colour piece, was produced as part of the 2011 ‘Druck Berlin‘ screenprinting festival.

‘Five Deities’

Following on heres a a Vimeo short (above) that pushes the tribalist face masks further, Jasper notes this video is a ‘bit of a new direction’. It’s a supremely atmospheric piece with subtle but very effective animation, perfectly synchronised with an eerily atmospheric score.

As I footnote I must say it is always a pleasure to check out Jasper’s site, there really is something effortlessly cool that exudes from his work. What would be nice is to somehow absorb the genius via the osmosis of viewing, hasn’t quite worked for me yet!

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Simen Johan

Next up we have a return to the work of Norwegian born artist Simen Johan whom I first featured back in 2009. Though his site has an extensive bio it hasn’t been updated past 2011 so I’m not 100% sure what Simen is working on at the moment, presumably still exhibiting. Definitely an artist I’d like to focus on again this year so watch this space for a more in depth profile. In the meantime here’s a little more from the breathtakingly beautiful “Until The Kingdom Comes”.

Simen John - Until The Kingdom Comes

Simen John - Until The Kingdom Comes

Simen Johan - Until The Kingdom Comes

‘Until the Kingdom Comes’

Underpinned by unrivalled technical prowess Simen’s work resonates with layer upon layer of mystique and otherworldly magic.  If wish to see further enchanting samples from ‘Until The Kingdom Comes’ visit www.simenjohan.com.

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Vincent Fournier

Finally we follow up with another photographic based artist you may well be familiar with, Vincent Fourier. whose imagery constantly circles pops up the major design sites. Suffice to say Fourier has an extremely interesting and diverse portfolio that I thoroughly  recommend perusing. I’ll skim the surface and pull out a few examples to give you the lead in.

Vincent Fournier - Brasilia

Vincent Fournier - Brasilia

‘TV Tower’ and ‘The National Congress Palace’

Two brilliantly composed, almost painterly photographs taken from Vincents 2012 project ‘Brasilia’, a study of one of the world’s most modern cities, certainly in terms of utopian 20th century thinking.

Brasilia, the federal capital of Brazil since 1960 was conceived and developed in the mid 1950′s, it’s a masterpiece of large scale urban planning and development, and a glittering reflection of the modernist themes of the day.  Viewed from above the Brasilia appears as a plane or butterfly, and at it’s visionary helm were a group of three that included urban planner Lúcio Costa, landscape designer Roberto Burle Marx and Oscar Niemeyer as the principal architect. A a quick side note; all three of these men were extremely long lived, and in fact Niemeyer who is considered as one of the fathers of modern architecture lived to an astonishing 104 years of age, only passing away on December 5th 2012. ’O belo Brasil!’ The key to a life longevity?

Vincent Fournier - Space Project

‘Kjell Henriksen Observatory #1 [KHO], Adventdalen, Spitsbergen Island, Norway, 2010′

From the steamy sub tropical savanna of Brasilia we warp to the icy wastes of Spitsbergen, a vast and empty archipelago that lies deep inside the Arctic Circle. This another sample from Vincent’s extensive ‘Space Project’ series.

What could possibly be more real world Sci-Fi than a row of hi-tech telescopes, nestled in desolation, scanning the universe through convex glass blisters? Well perhaps only this…

Vincent Fournier - The Man Machine

‘Kobian Robot #1 [Takanishi Laboratory], Waseda University, Tokyo, Japan, 2010′

We bookend this post with an image taken from Vincent’s ongoing ‘The Man Macine’ series. A fly-on-the-wall, impartial study of mankind’s nascent flirtation with robotics and automatons, It’s both fascinating and strangely moving.

For more on Vincent Fournier, check out his site at www.vincentfournier.co.uk or for visit vice.com for this ‘picture-perfect’ 2011 interview: http://www.vice.com/picture-perfect/vincent-fournier 

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So that’s that, there and back again. A somewhat disjointed post, or at best a rambling stream of consciousness, still, I hope there’s something you’ve enjoyed. More posts to follow soon.

 

 

Sci-Fi-O-Rama @ Pinterest

Dec 2nd, 2012 | Categories: Fantasy | Sci-Fi | Update

Sci-Fi-O-Rama On Pinterest

Time to toss aside the metaphorical, moth-eaten shrouds and fire up the Sci-Fi-O-Rama engines.

Firstly I’d like to apologise for the extremely long delay in posting and general lack blog activity. Nothing particularly noteworthy to say here other than that this was mainly due to a few upheavals with career, relationship, moving cities etc. Yes, the standard trials of life, all fine now but distracting at the time and hence the prolonged dormant state.

This initial posting then is something of a recap, similar I guess to when a TV shows producers cobble together and recycle old material. So as Sci-Fi-O-Rama rapidly approaches 5 years of age, something of a reboot is in order. As starters I thought would be apt to tag all the catalouged art from top to bottom and add to a specific Pinterest board. I guess I could of course of added all the images back to Flickr or ported them to Tumblr, or  other micro blogging platforms, but I chose Pinterest as I believe it presents the content in the most visual and easily consumable fashion. There is no official endorsement as such here, and I feel somewhat virgin again in a heady blogosphere that moves so quickly.  So the briefest of breif intro to Pinterst – clicking upon the thumbnail will take you through to the original posted article, but you’l need to be signed up with Pinterest to add images to your own boards.

 Check out the Sci-Fi-O-Rama Pinterest board here.

One further note for regular Pinterest users or indeed the casual observer, I’ve also started a Sci-Fi-O-Rama overflow board to help collect and catagorise prospective content, so if you’d like a sneak peak at possible future posts follow this link.

So what are the future plans for Sci-Fi-O-Rama?  Of course new material is primary and yes finally there are several things lined up. I’d also like to refresh the design and to a more contemporary magazine type look, though this of course can wait…

A quick recap then, Sci-Fi-O-Rama is not dead, new content is coming, in the meantime scroll through the past 5 years as quick as your Internet conection will allow for!

Thanks for the support

Kieran

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