Tinne Zenner – Nutsigassat

Apr 7, 2018 In: Art Movie Tinne Zenner By: Kie 0 Comment

First up, Sci-Fi-O-Rama was 10 years old last month (28th of March) and though posts may have dwindled somewhat through recent years we are very much back, so a big thanks to long-term and new readers alike. On with the post…

I’m currently contracting with an Icelandic games studio and am fortunate enough to spend a fair bit of time over there. Recently I visited Reykjavík Art Museum (highly recommended) and came across the spellbinding video work of contemporary Danish artist Tinne Zenner.

Zinner features in a 4 part collective show entitled ‘Tak i lige måde: Contemporary Art from Denmark’ commisioned to mark a hundred years of Icelandic sovereignty and the road to independence from Denmark (Iceland became fully independent in 1944). Zinner’s contribution ‘Nutsigassat’ (Greenlandic: ‘Transitions’) was by far the standout and really blew me away, hence the taster here.

Nutsigassat is an extremely powerful 20-minute combination of text, spoken word and haunting 16mm film imagery, scored with a superb low-range soundscape by Wieland Rambke. The film’s theme concentrates on the power of language as a tool of the coloniser, in this case, the Danish influence over Greenland.

Of particular note is a cleverly designed computer animation (seen below) that appears in such a rudimentary fashion it’s difficult to know how exactly it was crafted, the 16mm post-treatment gives a very 1980s VHS feel. Combine this with Rambke’s brooding soundtrack and a native Greenlandic voiceover with word-for-word translation (broken syntax) and you have some extreme otherworldliness. I was mesmerised upon viewing, and poignantly it’s a piece that quietly blossoms in the mind, majestic if slightly unnerving.

Here’s an excerpt from the film.

Nutsigassat Excerpt#1 from Tinne Zenner on Vimeo.

Finnish Coats of Arms

Mar 20, 2018 In: Graphics Illustration By: Kie 2 Comments

This origin of this post comes via an old scan of a Finnish textbook I’d come across on ffffound.com (now defunct).

The scan features an intriguing selection of coats of arms representing various municipalities of Finland. These crests all share a powerful combination of both graphic and abstract elements, underpinned with a definite feel of modernism. Essentially then, far more punch than the boring traditional British heraldic crests I’m accustomed to.

Anyway, I decided It was high time to do the research so here’s selection of my favourites.

Pielisjärvi – Pielisjärvi is an area of North Karelia, situated on the Russian border. As with many Scandinavian Coats of Arms the endless boreal forests and creatures that inhabit them are a common theme.

The original design is credited to Tapio Vallioja (1920-2005) who designed numerous coats of arms for municipalities, communities and individuals. According to translated Finnish Wikipedia (quite well I might add) Vallioja was one of the 12 founding members of the Heraldic Society of Finland, the article describes his style as ‘clear and understated’.

Enontekiö – A community in Finland’s North West that lays above the Arctic Circle, part of the area that is considered Lapland. This design a Rock Ptarmigan on a bright blue shield, a pretty bird colloquially known in English as a ‘Snow Chicken’.

Ivan Bilibin – Master Illustrator of Russian Folklore and Mythology

Feb 2, 2018 In: Fantasy Illustration Ivan Bilibin By: Kie 2 Comments

Kickstarting Sci-Fi-O-Rama has me busy researching once more, sites are bookmarked and images saved. Occasionally though, something pops up that’s just too special not feature straightway, such as the art of Ivan Bilibin.

Ivan Bilibin (1876 – 1942) was a Russian graphic artist and stage/costume designer most famous today for his stylised take on Russian Folklore and Medieval art. His work bears strong Art Nouveau characteristics, similar in vein to that of Aubrey Beardsley. Though in truth the influence stems more from their shared passion for 19th-Century Japanese block prints.

Above: ‘Tsaritsa Militritsa’

Born in Tarkhovka (near St Petersburg) Bilibin showed much artistic promise as a youngster and went on to study in both Munich and St Petersburg under the tutorage of Anton Ažbe and Ilya Repin respectively. While studying under Repin, he was commissioned by the (then tsarist) Department for the Production of State Documents to illustrate a series of Russian Folk Stories. These would be published in six large format paperback volumes, bringing him praise and recognition from the newly formed ‘World of Art’ group (Mir Istkusstva). Commissions for that circle were to follow, allowing Bilbin to cement his path to a career as an Illustrator.

Dan McPharlin – Selected Works

Jan 29, 2018 In: Dan McPharlin Illustration Retro Sci-Fi By: Kie 4 Comments

Veteran readers of Sci-Fi-O-Rama will obviously be familiar with the work of Austrailian artist and model-maker Dan McPharlin. He contributed to several posts and of course, designed the Sci-Fi-O-Rama logo. I’ve featured his gorgeous paintings many times and also interviewed him back in 2010.

Sadly as you probably are aware, in 2015 Dan’s internet presence stopped, and thus, nothing new has since appeared. This is not necessarily ominous, I believe Dan may simply be living ‘off-the-grid’. Over the past few years, I’ve received several emails regarding contacting him for potential commisions, I’m afraid I know nothing more than mentioned, I’ve lost touch with him myself. Anyway, let us not be gloomy, I’m sure he’s fine and busy beavering away on some spellbinding-vista as you read this…

A recap then and study of his overflowing talent.

Above and Title Image: ‘Storie Incredibili / Contatto col Nemico’ Wired Magazine (Italy), July-August 2014 issue.

These serene post-apocalyptic Illustrations form the perfect introduction to the art of Dan McPharlin and demonstrate how he excels at his craft. A delicate blend of Science Fiction and Surrealism, perfectly composed with a precisely balanced colour palette washed over with soft mists of texture.

Aliens and the Alcon Blue Butterfly

Jan 11, 2018 In: H.R. Giger Movie Sci-Fi Scientific By: Kie 2 Comments

First off a heavy disclaimer here: This post is based upon segments from a chapter of Jim Al-Khalili’s recent book ‘Science Asks: Is There Anybody Out There?’ (2016).

The publication is a spellbinding compendium that summarises the bleeding edge of science’s rapidly evolving hunt for extraterrestrial life and includes contributions from 20 expert minds, each at the vanguard of there respective fields.

If you’re even slightly interested in the scientific approach to ET this simply is a must-read, and offers both tantalising and tangible solutions to one of humanity’s greatest questions – Are we alone in the universe?

Roberto Benavidez – Hieronymus Bosch Piñatas & Interview

Oct 2, 2017 In: Art Fantasy Hieronymus Bosch Interview Models Old World Roberto Benavidez Sculpture By: Kie 4 Comments

A glimpse of the ethereal here as we focus on Los Angeles based artist Roberto Benavidez and his glorious Hieronymus Bosch inspired Piñatas.

A wondrous weave of both Mexican and Medieval European influences, It’s not often one stumbles across work as fabulously genre-bending.

Intrigued, I contacted Roberto to find out more…

You have a wonderfully enchanting style, can you give an insight into your background and route to becoming an artist/sculptor?

I grew up a closeted gay boy in rural South Texas. There wasn’t much available in terms of art education apart from the performing arts so that is the route I pursued initially. I had always been drawn to crafts like sewing, embroidery and collage but it wasn’t until my mid-20s that I began to entertain the idea of pursuing a career as a sculptor. It really coincided with my coming out fully as a gay man and embracing what my true passions were. Over time I’ve moved from clay to metal casting, to paper, mainly sticking to figurative forms.

I’d rank your Hieronymus Bosch Piñatas as some of freshest work I’ve seen for a long time, where did the initial idea spring from?

Thanks, that’s very kind of you to say. I’ve had this idea for some time now. I’ve always been a fan of Bosch. The idea of blending this traditional Mexican craft with Bosch’s imagery was quite exciting to me, something a bit outside the typical piñata imagery. There is also the context behind each being rooted in sin so I thought it to be the perfect pairing. I also felt like this bleeding of cultural artistic forms was in a way representative of me as mixed-race.

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