Sci-Fi-O-Rama

TAMIYA – 1980s Buggy Box Art

Feb 12th, 2013 | Categories: Art | Graphics | Illustration | Retro | Toys

Tamiya Logo

 

Though perhaps memorable using Sci-Fi-O-Rama as a blog name does throw up a few problems. It’s hard to spell, even harder to type, especially as a URL, and in general throws up more than the occasional snigger when I’m state the concept to peers and friends. “The titles supposed to be ironic”  I’ll frustratedly protest!

Anyway those trivial matters aside boundaries of selected content is the final matter of contention. First and foremost I set up Sci-Fi-O-Rama as a design and illustration inspiration blog, and though it’s bursting at the seams with Sci-Fi and geek related articles this really is just a flavouring.  What I’m getting at is; whilst this Tamiya post might be one of the less Sci-Fi tainted (there’s no glowing spacecraft here) it does however contain plenty of top notch retro Japanese graphic art spun back fro my favourite decade, the 1980′s.

As is customary with subject I don’t pertain to with overarching knowledge I’ll issue a quick disclaimer; I’m not a RC car aficionado nor Dirt Buggy enthusiast so we are really only skimming the surface here. What I do have though are vivid memories of these Tamiya models and the craze they stirred remember the craze they stirred through the mid to late 80′s.

Before I start I’d like to point out that it’s entirely possible that all the below renderings are the work of one (highly talented) illustrator. That person I believe is Yoshiyuki Takani, but at the moment I cannot confirm. If anyone knows more please drop me a line.

Right then, to give the article a little structure I’ve done my best to assemble the vehicles in a chronological order. Scrolling through you’ll notice I’ve chosen to focus solely on Tamiya’s 1/10th scale Radio Controlled Dirt Buggy range. Reason being is simple, not only do they look the coolest with their beautifully sculpted chassis’s and humorous, brash liveries. Look a little closer and there there’s as graphical language that totally set them apart, some truly wonderful design work that’s quite like nothing else. It’s little surprise then that they captured and enthralled a generation, at least for a little while….

Lets begin with some history first.

Tamiya’s roots date back to 1946 postwar Japan, and the city of Shizuoka. The company was founded in 1946 as Tamiya Shoji & Co by Yoshio Tamiya (15 May 1905 – 2 November 1988) and was originally in fact a sawmill a lumber supply company. Model production began in earnest in 1947 with the construction of wooden models of ships and airplanes. By 1953 Tamiya had switched all focus away from lumber sales and were focussed solely on model making, with the concept of being “easy to understand and build, even for beginners”.

By the early 60′s Tamiya had really started take off, thanks in part to the early Box art of  Shigeru Komatsuzaki. Plastic model kits of aircraft and military equipment were soon joined by highly detail reproductions of famous sports cars. Originally Tamiya packaging was designed as ”compositions of achievement” or “a story contained in a picture”. This would change in 1968, super detailed scenes were dumped in favour of focusing purely on the vehicle, still painstakingly rendered but now placed on just a plain white background. It’s an iconic style that stuck.

A quick side note on the famous Tamiya Star Mark logo, first designed in 1960 by Yoshio’s son-in-law. The left, red star stands for passion and the right, blue star stands for precision.

In 1976, Tamiya entered the Radio Controlled market with their first RC model, the Porsche 934, a racing version of the 911. According to legend Tamiya actually purchased a original 911 which they promptly dismantled in order for their engineers to better under the vehicles inner workings. Attention to detail, Japanese style.

A series of both on and off road vehicles were to follow, there’s many types and styles, but for the purpose of this post we are going to fast forward through to December 1983…

 

Tamiya - The Frog

The Frog (1983)

Though it wasn’t their first off road RC vehicle, The Frog marked a shift in Tamiya’s design ethos. Rather than replicating real life cars  like they had with the  Sand Scorcher or Rally car copies, effort was channelled into designing bespoke dirt buggies. Essentially then, despite the kinetic realism the box art oozes with, all Buggies featured here are  1/10th Scale models of vehicles that never actually existed at full size.

The Frog also marked the start of a series of wildlife inspired designs, each buggy taking subtle styling hint’s from it’s animal namesake. Note here the prominent headlamps, and general allround slightly bulbous nature of the monocoque. Oh and by the way, KC Daylighters actually are a real product.

Any adults that once as children drooled over the thought of owning one of these 2WD classics will no doubt be pleased to learn that Tamiya recently reissued The Frog. A quick browse through Amazon, show prices starting at $150…

 

Tamiya - The Grasshopper

The Grasshopper (1984)

Next up we have The Grasshopper, originally released in May 1984. The namesake designed cues are obvious, sharp wedged lines cut a spindly frame that’s complimented with forceful go faster stripes.

The Grasshopper was Tamiya’s entry level model, and ran a weaker motor which could however be upgraded. Less power did however mean easier handling and longer battery life, and the buggy proved to be immensely popular. In fact today it’s seen as one of the out classics. As the cheaper option I do have hazy memories them being ridiculed, but I guess that’s just how snobby kids can be…

Once again The Grasshopper has enjoyed a re-release, with pricing starting at around the $140 mark.

 

Tamiya - Box Art

Tamiya - The Hornet (Detail)

The Hornet (1984)

Following on from The Grasshopper came the legendary Hornet with it’s unmistakable black and gold livery Hornet, as you can see above. With it’s high performance, durability and ease of maintenance The Hornet quickly became one Tamiya’s most popular ever models. Any of you anxious to get there hands on this slice of pure 80′s Nostalgia, will be pleased to learn it’s still available from Tamiya priced at $170 upwards.

In fact to further more highlight just how deep into the pubic psyche The Hornet has buried Tamiya (recently-ish) released a limited edition with a wild custom paint job by Japanese designer Jun Watanabe. As you can see, no expense was spared with this completely wacky and somewhat bovine take on things. It’s camp as christmas and I love it.

 

Tamiya The Hornet (Jun Watanabe)

For more on Watanabe’s RC design work, and misc cool shit from The Land of  The Rising Sun, check out this link: http://www.junwatanabe.jp/rc/

Also check Tamiya’s original ‘The Hornet’ promotional video

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Tamiya - Hotshot

Hotshot (1985)

This was Tamiya’s first attempt at a 4WD buggy, featuring a mid mounted engine for stability. It’s not one I particularly remember, but as it spawned several successors (shown later) the Hotshot is  included for chronologic. Livery wise this tough looking little vehicle is a little bland, with small decals that applied somewhat sparingly.  Still whilst it sadly lacks a cheesy slogan, the Hotshot’s general butch presence gets a big thumbs up, in fact it almost looks like a Transformers ready to make that robotic fart noise and spring into action. I’m waffling again.

Tamiya - The Fox

The Fox (1985)

October 1985 saw the release 2WD ‘The Fox’ with it’s unfussy sweeping livery and gleaming gold wheels it is considered another design classic and is highly sought after today. Tamiya obviously took design cues from the animal counterpart giving the vehicle an elongated, slender snout and all round svelte appearance. Presumably there also must have also been some sort of tie in here with the real ‘Fox Racing‘ Team…

Nothing more to add other than I’ll have to say this is pretty much my favourite. If I had a son, this is what I’d be buying him for christmas, pretty much for me to play with.

Tamiya - Super Hotshot

Super Shot (1986)

The Super Shot was something of an evolution of the previously mentioned Hot Shot using the same chassis but alternate suspension system. There’s definitely something fairly menacing about it, especially the vehicles gaping maw, presumably great for catching pebbles in.

If your tempted at all, Tamiya re-released the Supershot in 2012.

 

Tamiya - The Boomerang

Boomerang (1986)

The Boomerang was an affordable 4WD entry point for many first time RC Buyers.  Slick and Simple livery nicely complimenting the wedge like bodyshell.

Tamiya - The Falcon

The Falcon (1986)

Sporting a swooping nose cone and two tone, flaming paint job ‘The Falcon’ was another popular animal inspired design. Renowned for it’s ruggedness the chassis would be reused as the basis for other subsequent designs.

 

Tamiya - The Bigwig

The Bigwig (1987)

With it’s bright, if slightly sickly colour scheme and aggressively postured 4WD chassis ‘The Bigwig’ was another memorable addition to the Tamiya stable. Built to commemorate Tamiya’s 10 year involvement with RC model building ‘The Bigwig’ was created by actual buggy Racing design boffin Dick Cepek, his stylised name appering on the rear wing.

Tamiya - Hot Shot II

Hot Shot II (1987)

Released two years after the original 4WD Hot Shot, this update featured numerous minor enhancements and a new Hornet-esque colour scheme.

Tamiya - Lunchbox
Vanessa’s Lunchbox (1987)

Next up we have a slight deviation away from the theme with the famous ‘Lunchbox’, a 1/12 scale RC Monster Truck. Despite relatively poor stability and handling due to the large tyres and high centre of gravity Tamiya’s ‘stunt vehicles’ were extremely popular, and none more so than the competitively priced Lunchbox.

Tamiya - SuperSabre
Super Sabre (1987)

The Super Sabre was essentially The Boomerang with red plastic parts and a new futuristic looking body shell. Interesting to note how much the styling has change since from the earlier boxy look, something that gets even wilder as you’ll see further down.

 

Tamiya - Thunder Shot

Thunder Shot (1987)

Looking something like a fighter jet with it’s wings removed The Thundershot’s wild appearance marks the shift towards pure Sci-Fi buggies. Great logo too.

 

Tamiya - Avante
Avante (1988)

The over engineered 4WD Avante was a technological masterpiece that very advanced for it’s time. As you might expect such engineering came with a high price tag, still it’s a fantastic looking vehicle.

 

Tamiya - Thunder Dragon

Thunder Dragon (1988)

If you could some how capture and sequester the essence of all 80′s Paleo futurism and then wickedly beat it into a space buggy styled shape you’d probably end up with something not too dissimilar to the Thunder Dragon. It’s a truly wild design, part top loading VCR, part attack drone, looking like it’s fallen to earth off the back of a passing battlecruiser.

In true wacky Japanese style the Thunder Dragon was tied into a a strip that ran in the Manga comic ‘Coro Coro‘. Not entirely sure how but basically that’s what this quirky little character is about.

Tamiya - Coro Coro

**

Tamiya - Grasshopper II
Grasshopper II (1988)

Tamiya updated there entry level buggy in August 1988 with a more streamlined shell.

Tamiya -  Terra Scorcher

Grasshopper II (1988)

The fantastically titled ‘Terra Scorcher’ was essentially the same as the 4WD Thunder Shot with a different bright blue paintjob.
Tamiya - Vanquish

The Vanquish (1988)

The attractive looking Vanquish was a slightly simplified reworking of the The Avante, but with a cheaper price point.

 

Tamiya - Fire Dragon

 

Fire Dragon (1989)

Based on the Thunder Dragon Chassis, the Fire Dragon was the second of the ‘Coro Coro’ Buggies. Another literally out of the this world design, though on closer inspection I did have to wonder where exactly the drivers leg were? The swing arm suspension seems to take the place they should be. Hmmmmm.

Tamiya - Egress

 

Egrees (1989)

We finish off with probably the best looking buggy of them all, and certainly the best tagline ‘Way Out Running!’

The Egress was a top end 4wd model that is still a much respected and sought after to this day.

I’m going to wrap up the post here, there are of course many other Tamiya Buggies, produced after these and actually a few from the 80′s managed to miss out.

Originally I’d planned this just a quick article, but the more research I did on Tamiya I realised only a comprehensive overview would suffice. I hope you’ve enjoyed it.

** Notes

For further reading on Tamiya, including details on pretty much every model and component check out the following sites:

http://www.rcscrapyard.net - massive repository of vintage RC tech, each vehicle profile comes loaded with Ebay links.

http://www.iconicrc.com - a nicely designed easy to navigate modern website, plenty of images too.

More posts soon.

Sci-Fi-O-Rama 2013 Round Up (1)

Jan 15th, 2013 | Categories: Art | Fantasy | Fashion | Graphics | Illustration | Jasper Goodall | Low Palette | Martin Ansin | Psychedelic | Sci-Fi | Silence Television | Tyler Stout | Vincent Fournier

Silence Televison - Back To The Future II

Lets start 2013 with something of a round up. A quick reality check, refresh, and splash of Eau de toilette. 

What we have here then is a brief sampler straight from the Sci-Fi-O-Rama barometer, a long awaited update on a selection of the finest, past featured contemporary artists.

**

Silence Televison

We begin this post sandwiched between the wonderful work of Peruvian Designer and Illustrator Gianmarco Magnani, better known in design circles as Silence Televsion. Heading the article is a simply stunning metallic screenprint celebrating Robert Zemeckis’s 1989 blockbusting sequel ’Back to the Future II’, a recent commission for Mondo, whom we have of course interviewed before, In fact Mondo is a common theme here as you’ll see…

The Mondo Screenprint alas is long since sold out, though I imagine as with other Mondo material they’ll circulate occasionally in eBay (set up a watched search).  What I particularly love about this DeLorean DMC-12 rendering, aside from the typical hyper detail is of course the angle, admittedly it’s a while since I last saw the film, but I can’t remember ever seeing a shot of the car at this viewpoint, can you?

Just to further extend upon some of the details; chipped and scratched paint, an actual real world design flaw the short lived car manufacturer was infamously haunted by. For me though the mastery of the illustration lies within the assorted wiring & tubing that circumnavigates the vehicle slivering inside and out. Designing this mayhem must surely be the most enthralling part, techno illustration with a distinctly psychedelic edge. All of this of course is similar in ethos to the work Japanese cyberpunk maestro Katsuhiro Otomo of whom Gianmarco pays tribute too below.

Silence Television - Akira

‘Akira’ developed for Mondo Gallery

Once again this is another Mondo commissioned limited edition screenprint, a beautiful design that’s very true to the styling of the Otomo originals. For myself as a teenager Akira offered probably the most complete escapist Sci-Fi, but admittedly as 36 year old I’ve paid less attention recently.  Studying this piece It’s strikes me that I never realised how very 80′s it all is, particularly Kaneda’s jacket with it’s asymmetric fasteners, power shoulder padding and oversized collars. It’s construction presumably would be red leather, though dyed suede and corduroy could work too… anyway I digress!

I hope to bring you more from both Gianmarco Magnani and Katsuhiro Otomo this year, in the meantime it’s certainly worth bookmarking and tracking the Silence Television blog.

**

Tyler Stout

Continuing with the Mondo related artists theme, here’s a taster of the work of Illustrator Tyler Stout, another master of deadeye minutia  whose style is set apart by a more frenetic edge,  clearly seen below with this Gremlins 2 inspired sample. This T Shirt print  - at time of press – is still available if you follow this link to the Mondo Store.  Just a quick note on the original Gremlins movie, IMHO it’s got to be one the best Christmas movies no? for me it’s up there with Die hard. Bollocks to It’s a Wonderful Life…

Tyler Stout - Gremlins 2

‘Berserker’

Below we have another classy movie led illustration featuring probably the best helmet ever designed for the silver screen, which appeared of course in quite possibly the greatest sci-fi film ever made. Alien, what more do you need to know? Actually one thing I’m not 100% sure on who the character actually is, the title reads simply ‘Navigator’. Well nothing wrong with a little mystery I guess!

As a quick sidenote it’s nice to see Tyler has included the original Weyland Yutani winged shoulder patch, this of course was orginally designed by John Mollo whom I profiled mid 2011 (Oscar winning Starwars costume designer). If you’ve not had a look you can check that post out here.

Tyler Stout - Aliens

‘Navigator’

For more information on Tyler Stout visit his site & shop here at www.tstout.com, or see a selection of his work featured as part of the Sci-Fi-O-Rama special feature on Mondo.

**

Martin Ansin

Staying with the Mondo connection we move on towards Martin Ansin an artist I’ve somehow managed to not include on Sci-Fi-O-Rama  before (ok, admittedly I’ve been slack of late). Here the subject matter for this limited edition screenprint is Terry Gilliam’s ‘Brazil‘, the classic dystopian satire that was released in cinemas back in 1985. With regards to the print, lets start by saying it doesn’t get much better than this; composition, mood, colouring and of course the rendering itself are all as close to perfection as one might dare to quantify. Love the diffused texturing, really helps to bring the whole thing to life. I’ve included the poster and two close ups of the detail. Wow!

Martin Ansin - Brazil

Martin Ansin - Brazil

Martin Ansin - Brazil

Terry Gilliam’s ‘Brazil’

So just art from a single ‘super sample’ here, Martin is definitely someone I wish to profile properly, in the meantime though you can marvel at more from his gloriously rich and expansive portfolio via martinansin.com - utterly, utterly enviable!

**

Jasper Goodall

Moving out beyond Mondo territory we home in upon Jasper Goodall another personal  favourite of mine, and of whom I featured back in 2011 (you can read that here). I’ve chosen a couple of fairly recent images via his site. Note that upo visiting the home page is in fact a blog reel so do  be sure to scroll down and view the perfect balance between lavish commercial illustration and personal projects. I’ve pulled out a couple of examples of which I’ll annotate below.

Jasper Goodall - Druck Mask

‘Druck Berlin’ 2011

Here we have an image that totally encapsulates the essence  of what Jasper does best  - sublime beauty with a gleefully sinister edge – a totally mesmorising style. This offset 2 colour piece, was produced as part of the 2011 ‘Druck Berlin‘ screenprinting festival.

‘Five Deities’

Following on heres a a Vimeo short (above) that pushes the tribalist face masks further, Jasper notes this video is a ‘bit of a new direction’. It’s a supremely atmospheric piece with subtle but very effective animation, perfectly synchronised with an eerily atmospheric score.

As I footnote I must say it is always a pleasure to check out Jasper’s site, there really is something effortlessly cool that exudes from his work. What would be nice is to somehow absorb the genius via the osmosis of viewing, hasn’t quite worked for me yet!

**

Simen Johan

Next up we have a return to the work of Norwegian born artist Simen Johan whom I first featured back in 2009. Though his site has an extensive bio it hasn’t been updated past 2011 so I’m not 100% sure what Simen is working on at the moment, presumably still exhibiting. Definitely an artist I’d like to focus on again this year so watch this space for a more in depth profile. In the meantime here’s a little more from the breathtakingly beautiful “Until The Kingdom Comes”.

Simen John - Until The Kingdom Comes

Simen John - Until The Kingdom Comes

Simen Johan - Until The Kingdom Comes

‘Until the Kingdom Comes’

Underpinned by unrivalled technical prowess Simen’s work resonates with layer upon layer of mystique and otherworldly magic.  If wish to see further enchanting samples from ‘Until The Kingdom Comes’ visit www.simenjohan.com.

**

Vincent Fournier

Finally we follow up with another photographic based artist you may well be familiar with, Vincent Fourier. whose imagery constantly circles pops up the major design sites. Suffice to say Fourier has an extremely interesting and diverse portfolio that I thoroughly  recommend perusing. I’ll skim the surface and pull out a few examples to give you the lead in.

Vincent Fournier - Brasilia

Vincent Fournier - Brasilia

‘TV Tower’ and ‘The National Congress Palace’

Two brilliantly composed, almost painterly photographs taken from Vincents 2012 project ‘Brasilia’, a study of one of the world’s most modern cities, certainly in terms of utopian 20th century thinking.

Brasilia, the federal capital of Brazil since 1960 was conceived and developed in the mid 1950′s, it’s a masterpiece of large scale urban planning and development, and a glittering reflection of the modernist themes of the day.  Viewed from above the Brasilia appears as a plane or butterfly, and at it’s visionary helm were a group of three that included urban planner Lúcio Costa, landscape designer Roberto Burle Marx and Oscar Niemeyer as the principal architect. A a quick side note; all three of these men were extremely long lived, and in fact Niemeyer who is considered as one of the fathers of modern architecture lived to an astonishing 104 years of age, only passing away on December 5th 2012. ’O belo Brasil!’ The key to a life longevity?

Vincent Fournier - Space Project

‘Kjell Henriksen Observatory #1 [KHO], Adventdalen, Spitsbergen Island, Norway, 2010′

From the steamy sub tropical savanna of Brasilia we warp to the icy wastes of Spitsbergen, a vast and empty archipelago that lies deep inside the Arctic Circle. This another sample from Vincent’s extensive ‘Space Project’ series.

What could possibly be more real world Sci-Fi than a row of hi-tech telescopes, nestled in desolation, scanning the universe through convex glass blisters? Well perhaps only this…

Vincent Fournier - The Man Machine

‘Kobian Robot #1 [Takanishi Laboratory], Waseda University, Tokyo, Japan, 2010′

We bookend this post with an image taken from Vincent’s ongoing ‘The Man Macine’ series. A fly-on-the-wall, impartial study of mankind’s nascent flirtation with robotics and automatons, It’s both fascinating and strangely moving.

For more on Vincent Fournier, check out his site at www.vincentfournier.co.uk or for visit vice.com for this ‘picture-perfect’ 2011 interview: http://www.vice.com/picture-perfect/vincent-fournier 

**

So that’s that, there and back again. A somewhat disjointed post, or at best a rambling stream of consciousness, still, I hope there’s something you’ve enjoyed. More posts to follow soon.

 

 

Sci-Fi-O-Rama @ Pinterest

Dec 2nd, 2012 | Categories: Fantasy | Sci-Fi | Update

Sci-Fi-O-Rama On Pinterest

Time to toss aside the metaphorical, moth-eaten shrouds and fire up the Sci-Fi-O-Rama engines.

Firstly I’d like to apologise for the extremely long delay in posting and general lack blog activity. Nothing particularly noteworthy to say here other than that this was mainly due to a few upheavals with career, relationship, moving cities etc. Yes, the standard trials of life, all fine now but distracting at the time and hence the prolonged dormant state.

This initial posting then is something of a recap, similar I guess to when a TV shows producers cobble together and recycle old material. So as Sci-Fi-O-Rama rapidly approaches 5 years of age, something of a reboot is in order. As starters I thought would be apt to tag all the catalouged art from top to bottom and add to a specific Pinterest board. I guess I could of course of added all the images back to Flickr or ported them to Tumblr, or  other micro blogging platforms, but I chose Pinterest as I believe it presents the content in the most visual and easily consumable fashion. There is no official endorsement as such here, and I feel somewhat virgin again in a heady blogosphere that moves so quickly.  So the briefest of breif intro to Pinterst – clicking upon the thumbnail will take you through to the original posted article, but you’l need to be signed up with Pinterest to add images to your own boards.

 Check out the Sci-Fi-O-Rama Pinterest board here.

One further note for regular Pinterest users or indeed the casual observer, I’ve also started a Sci-Fi-O-Rama overflow board to help collect and catagorise prospective content, so if you’d like a sneak peak at possible future posts follow this link.

So what are the future plans for Sci-Fi-O-Rama?  Of course new material is primary and yes finally there are several things lined up. I’d also like to refresh the design and to a more contemporary magazine type look, though this of course can wait…

A quick recap then, Sci-Fi-O-Rama is not dead, new content is coming, in the meantime scroll through the past 5 years as quick as your Internet conection will allow for!

Thanks for the support

Kieran

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