First up, Sci-Fi-O-Rama was 10 years old last month (28th of March) and though posts may have dwindled somewhat through recent years we are very much back, so a big thanks to long-term and new readers alike. On with the post…
I’m currently contracting with an Icelandic games studio and am fortunate enough to spend a fair bit of time over there. Recently I visited Reykjavík Art Museum (highly recommended) and came across the spellbinding video work of contemporary Danish artist Tinne Zenner.
Zinner features in a 4 part collective show entitled ‘Tak i lige måde: Contemporary Art from Denmark’ commisioned to mark a hundred years of Icelandic sovereignty and the road to independence from Denmark (Iceland became fully independent in 1944). Zinner’s contribution ‘Nutsigassat’ (Greenlandic: ‘Transitions’) was by far the standout and really blew me away, hence the taster here.
Nutsigassat is an extremely powerful 20-minute combination of text, spoken word and haunting 16mm film imagery, scored with a superb low-range soundscape by Wieland Rambke. The film’s theme concentrates on the power of language as a tool of the coloniser, in this case, the Danish influence over Greenland.
Of particular note is a cleverly designed computer animation (seen below) that appears in such a rudimentary fashion it’s difficult to know how exactly it was crafted, the 16mm post-treatment gives a very 1980s VHS feel. Combine this with Rambke’s brooding soundtrack and a native Greenlandic voiceover with word-for-word translation (broken syntax) and you have some extreme otherworldliness. I was mesmerised upon viewing, and poignantly it’s a piece that quietly blossoms in the mind, majestic if slightly unnerving.
Here’s an excerpt from the film.