Above sits a wonderful cross-section of art, illustration and design, not the work of an agency, collective or duo but in fact products of just one individual, Sydney based artist and designer Johnathan Zawada. I first came across Jonathan’s work whilst perusing the phenomenal inspiration repository that is butdoesitfloat.com (macro mode). As you will know the quality of the curation there is exceedingly high, each feature generally astonishing, however, I was particularly drawn to the spectacular, otherworldly iridescence of
A selection of work from the late Scottish sculptor and artist Sir Eduardo Paolozzi (7 March 1924 – 22 April 2005).
Paolozzi has always been a favourite of mine, particularly his beautifully composed, ultra-vibrant graphic screenprints. This post was sparked when I recently picked up a copy of “Paolozzi” a 1999 paperback publication that gives a chronological overview of Eduardo’s work. Here is the back page synopsis, note that I’ve embellished this slightly, altering present to past tense.
Eduardo Paolozzi (of Italian descent) was one of the major figures of postwar British art: A father of Pop Art a creator of key icons of
Here’s a continuation of one of the more popular features I ran last year ‘The Art of the Arcade Marque‘ with a further selection of
Here is my 3rd Spotify playlist and this time I thought I’d go for something of a theme, that being “Alternate 80’s”. Therefore then all tracks I’ve featured hark from that era. Ok so maybe they’re not all alternate, and actually, one isn’t from the 80’s at all (although in spirit is) but once again there all pretty much synth driven.So a couple of notes on this selection:
We kick off with an obscure Eurythmics B-Side from 1982 before moving into several familiar cuts from some of the UK’s seminal acts of the time. Then moving uptempo swoop into a more club orientated angle with offerings from Pete Shelley (Buzzcocks) & Depeche Mode before swerving southbound into Italo Disco mode with Aeroplane’s ( They’re better than Daft Punk) recent remix of Sebastian Tellier and then Peter Richards “Walking in the Neon”. The last segment moves to electro-pop with Tim Simenon’s Bomb The Bass Project, followed by some early Moroder-esque Eurodisco from Belgium. The selection ends with, for me, one of the greatest pieces of electronic music ever produced, the totally timeless and therefore completely amazing “Dead Eyes Opened” composed by Aussie
Here’s an expansion of something I tweeted last week, apologies to those who’ve already seen this set. If you didn’t see the thread and in particular are a Starwars fan, then your in for a bit of treat!
Now then, here’s a selection of three posters lifted from a larger crop over at a www.chelloveck.sfblogs.net. Chelloveck is a Hungarian Sci-Fi website, so if your a backward monolingual speaker like me and/or your Hungarian’s somewhat limited then try viewing the site in Chrome, as it’ll attempt auto-translation for you. Before I start with some ramblings on my selection be sure to check out the full post over at Chelloveck http://bit.ly/gfN5fz. Onto the notes:
Top: “Guerre Stellari” – This is a rendering for the Italian market, as with the others presumably used to promote the cinema release of the film. A slick, pretty camp graphic style that wouldn’t look out of place splashed over