A glimpse of the ethereal here as we focus on Los Angeles based artist Roberto Benavidez and his glorious Hieronymus Bosch inspired Piñatas.
A wondrous weave of both Mexican and Medieval European influences, It’s not often one stumbles across work as fabulously genre-bending.
Intrigued, I contacted Roberto to find out more…
You have a wonderfully enchanting style, can you give an insight into your background and route to becoming an artist/sculptor?
I grew up a closeted gay boy in rural South Texas. There wasn’t much available in terms of art education apart from the performing arts so that is the route I pursued initially. I had always been drawn to crafts like sewing, embroidery and collage but it wasn’t until my mid-20s that I began to entertain the idea of pursuing a career as a sculptor. It really coincided with my coming out fully as a gay man and embracing what my true passions were. Over time I’ve moved from clay to metal casting, to paper, mainly sticking to figurative forms.
I’d rank your Hieronymus Bosch Piñatas as some of freshest work I’ve seen for a long time, where did the initial idea spring from?
Thanks, that’s very kind of you to say. I’ve had this idea for some time now. I’ve always been a fan of Bosch. The idea of blending this traditional Mexican craft with Bosch’s imagery was quite exciting to me, something a bit outside the typical piñata imagery. There is also the context behind each being rooted in sin so I thought it to be the perfect pairing. I also felt like this bleeding of cultural artistic forms was in a way representative of me as mixed-race.