Sci-Fi-O-Rama proudly present a very special feature on Chris Foss, as profiled by Jeff Love, owner and admin of the sublime Sci-Fi art blog Ski-ffy.
Born in 1946 in Guernsey, Channel Islands, Chris Foss is a British illustrator and a powerhouse of science fiction design and invention. His work is a celebration of future machinery, impossibly sized constructions exist on a planetary scale; a showcase of hardware so large that the human figure is dwarfed by comparison.
Arriving in the SF illustration field in the early 1970s, he is a cult figure, influential and universally admired. For British SF and SF art, his work can be seen as a catalyst; his prolific output was used abundantly in the UK paperback market, particularly by publishing houses like Panther, Coronet (Hodder & Stoughton) and Granada. Foss’ iconic paintings adorned the covers of American classics; E. E. Smith’s Lensman and Family d’Alembert series, reprints of the works of Asimov, James Blish and Philip K. Dick. These colourful scenes of gargantuan spacecraft, space-scenes and enormous robots not only influenced an entire school of imitators but instilled a love of future-tech amongst several generations of science fiction fans.
It’s rare to come across a piece of art that really moves me. This odyssey of distortion does just that.
Unnerving, strangely touching and certainly one of the most spellbinding and hallucinatory 5 minutes of music video your ever likely to see. This is but a taster of Luke Wyatt’s ‘Sad Stonewash’ (a Video Mulch) a 40-minute sojourn into the abyss of VHS.
“Video Mulch” is Wyatt’s trademark form of extreme analogue Video Processing, created using a combo of outdated analogue and digital tools.
Wyatt describes the process as thus:
“I select a video to appropriate based on its mood resonance or compositional zing. My VCR gets beat up with a size 13 docksider until it makes errors and the VHS tape spits upon itself. While digitizing the video I induce the computer to make mistakes by not telling it the truth about the data it is ingesting. I isolate the mistakes I like best, outline them, and send them back to my VCR, resuming the docksider attack, repeating this process until things attain an anti-sheen, losing any crisp edge as if they had always belonged together. I then arrange the images in an order that must appear equally
I was pretty much blown away by this charmingly atmospheric SF indie animated short, sent to me recently by its creator Seattle based Designer/Animator Ian Obermuller. This first episode in a planned series revolves around an amnesiac lost in an alien jungle where he encounters a mysterious doctor and his strange companions…
Self Absorb is an extremely http://www.mindanews.com/buy-paxil/ quirky blend of cartoon visuals, black humour and general weirdness – love it! especially the vocal FX. The Animation and imagery were created using a combination of After Effects, Illustrator and of course Photoshop.
Find out more about Ian over at his blog: http://www.diskmountain.blogspot.com/. This Video is via Vimeo, here’s the source http://vimeo.com/17044348 .