Sci-Fi-O-Rama

Selected Sci-Fi & Fantasy Book Covers Part 1

May 6th, 2013 | Categories: Adrian Chesterman | Art | Barbara Remmington | David Pelham | Dean Ellis | Fantasy | Graphics | Horror | Ian Miller | Illustration | Peter Max | Peter Tybus | Retro

'Nightmare Blue' Art by Justin Todd 1975

Zipping up my moonboots and going back to the roots here with a varied selection of retro SF and Fantasy book art. Sci-Fi-O-Rama was pretty much built upon the back of posting forgotten book and games art, so with a renaissance in blog activity what better than to revisit the archives and excerpt another sampler.

What’s most fascinating with each of these examples is though the whole might not always fully hit the mark there’s always something of interest or worthy for reference. This then might be a style of colouring, a technique in rendering, the choice and application of a typeface, or even something as obscure as the design of a motif. In short even the most subtle fragment of detailing can flick a creative switch, it’s all about your own imagination. That isn’t however to say that every Sci-Fi book cover has merit – au contraire – they most certainly do not. But that’s what we’re here for, to filter and serve only the very finest…

In putting this (abridged) selection together we’re go revisit several of the artists featured at Sci-Fi-O-Rama before, people who defined and shaped the genre such as David Pelham, Dean Ellis, Ian Miller and others perhaps slightly less well known such Adrian Chesterman or Peter Tybus. The majority of covers here have come via my Flickr favourites feed and prior to that a Flickr group I’ve mentioned before, the simply titled ‘Sci-Fi Books‘ pool. Of course these days with tumblr and pinterest and the ever evolving Google image search theres a multitude of ways to sophistically search for this kind of art, but I would say the crowd sourced ‘Sci-Fi Books’ collection still represents the best entry point. As such I recommend that as the first stop on the road for further research.

Lets begin with the art and notes, starting with the header image….

**

‘Nightmare Blue’ Art by Justin Todd 1975 (top of post)

As is customary I always load the post head with the most arresting image of the pack, so what to say about this one? Hmmm… Well how about for starters it’s bloody mental. Supremely sinister and rendered in an unusual very idiosyncratic style, this is the work of British Artist Justin Todd. Something about it is strangely very contemporary, but in fact it dates from 1975 and so is actually slightly older than your site author.

Todd, an artist I’ve only just come across, is a classically trained illustrator he lectured Illustration at Brighton University in the 1960′s along side Raymond Briggs (The Snow Man, When The Wind Blows). Someone I’ve earmarked to revisit, for now you can read a little more on him here at arts.brighton.ac.uk.

The story by the way revolves around a highly addictive drug ‘Nightmare Blue’ whose users die without another hit… I’ll just point out I haven’t actually read any of the books featured here, so I’ll add a little snippet like this with each cover.

'Cinnabar' Peter Goodfellow 1978

‘Cinnabar’ Peter Goodfellow 1978

This is one of those slightly abstract airbrush type covers so popular in the 70′s,  the indeterminable sense of scale and swathes of cobalt blues lend an appropriate otherworldly theme. This is English artist Peter Goodfellow’s depiction of Cinnabar, a city at the centre of’ time.

The book is actually collection of short stories based around this would be futuristic utopia, I believe some which may of been printed in the legendary OMNI magazine which I’ve posted about way back when. Interestingly after forging a career Illustrating book covers, Goodfellow would move to become a highly regarded landscape painter in Scotland, that future path perhaps hinted at here by the covers distant snowcapped mountains.

Read a little more about Peter Goodfellow here.

'Frankenstein Unbound'  Art by Paul Bacon 1975

‘Frankenstein Unbound’  Art by Paul Bacon 1975

The cover of Brian Aldiss’s ‘Frankenstein Unbound’ comes complete with an appended $1 mark scrawled on the monsters temple. Ignoring the graffiti then, and this slick inked illustration is the work of American graphic designer and Illustrator Paul Bacon. Love the subtle shift in hues and the way the grained texture of the heavy watercolour paper comes though. This style is in fact very reminiscent of Micheal Foreman, who illustrated the original Erik the Viking book, that was featured here a little while back.

Again somewhat embarrassingly this was the first I’d actually heard of Paul Bacon, although I’m not entirely sure how as I am familiar with some of his work. Perhaps you are too? Bacon created the iconic first edition covers for some of the 20th century’s most important novels including Ken Kesey’s ‘One flew over the Cuckoo’s Nest‘, Kurt Vonnegut, Jr.’s ‘Slaughterhouse-Five‘ and the legendary ‘Catch 22‘ by Joseph Heller (love that book). Read a little more about Paul Bacon at Wikipedia.

A quick story synopsis: Time traveling 21st American Joe Bodenland finds himself with Byron and Shelley in the famous villa on the shore of Lake Geneva. More fantastically, he finds himself face to face with a real Frankenstein. Sounds pretty good, and indeed in 1990 was adapted to the big screen with no other than Roger Corman at the helm, the undisputed heavyweight champ of cult cinema. Frankenstein Unbound stars staring John Hurt, Bridget Fonda and Raul Julia check it at IMDB.

' The Incandescent Ones' - Adrian Chesterman

‘ The Incandescent Ones’ – Adrian Chesterman

This sinister looking chromed robotic figure is the work of Adrian Chesterman another artist who’s popped up here before. Chesterman, an American artist produced a series of these somewhat warped airbrushed covers for Penguin Science Fiction during the late 70′s and Early 80′s. It’s a look that’s quite distinguishable being characterised by exceptional costume styling and rendered with just the right amount of highlighting sheen. Above is a fine demonstration of these traits, and as with all Chesterman’s covers is underpinned by a deep love for the subject matter.

Also of note is that despite being a (one assumes) being from the future, it’s also impossible to escape the influence of the present or what is now the past. As such Chesterman’s work contains subtle visual clues that reflect the times; a touch of Disco here, a splash of ‘Simon Says’ and of course the inevitable Starwars references.

Definitely a favourite of mine, check out the complete set of Adrian Chesterman cover’s over at the excellent Penguin Science Fiction website.

A quick note the on the book itself and this one sounds perhaps targeted towards a younger adult demographic. A young art student receives a cryptic message that is to lead him on to a series of startling adventures…

'Times Last Gift'  Art by Peter Tybus  1975

‘Times Last Gift’  Art by Peter Tybus  1975

A rainbow coloured somewhat fauvist cover from Peter Tybus this one dating from 1975. The story, if you hadn’t of guessed revolves around time travel.

Tybus is something of a Sci-Fi-O-Rama enigma, and there is little or no digital footprint of him beyond a series of magazine and book illustrations dating from the 1970s. Indeed the top search result listed by google is in fact a Sci-Fi-O-Rama’s past feature on him. Anyway there’s always alot of love here for his iridescent style that’s also reminiscent of the work of  David Pelham, of course, also a Penguin Sci-Fi Cover illustrator.

If you do have more info on Peter Tybus do let us know, it’d be great to one day run an expanded feature…

'R is for Rocket' cover art by Ian Miller

‘R is for Rocket’ cover art by Ian Miller

A collection of Short Stories penned by Ray Bradbury. This cover is the unmistakable work of British illustrator and blog favourite Ian Miller, featured a good few times before. Millers work is a demonstration in ornate crafting finished with laser guided precision and is juxtaposed into chaotic compositions swathed with wild gothic stylings. This is the definition of frenetic, never a moment will your eye rest upon Ian’s work, such is demonstrated above. Also take note of a hawk-eyed passion for architectural and geometric detailing.

Miller doesn’t really do Sci-fi or Fantasy, the work is simultaneously both and neither, and of course is all the better for it. If you are unfamiliar with his work and intrigued (you should be) why not have a browse back through past entries or check his official website ian-miller.org.

'The Menzentian Gate' cover art Barbara Remmington

‘The Menzentian Gate’ (Year Unknown)

The Menzentian Gate is a fantasy novel, penned in 1958 and is part of whats known as the Zimiamvian Trilogy. The saga fact loosely linked to Eddison’s more famous work ‘ The Worm Ouroborosfeatured here way back in 2008.

The cover is by Barbara Remmington an American artist and Illustrator most famous for her Ballatine Books first edition covers for Lord of the Rings. It’s a colourful style of work reminiscent perhaps of that Bayeux tapestry  mode of visual story telling, and busy composition loaded with clues and character. Certainly captures the ethos of what a fantasy book should like, and the Dragon/Serpent looks fantastic.

Der Himmel uber Pern Cover

Der Himmel über Pern

From the dragon that devours its own tail to one thats shrouds an astronaut. Lets not beat about the bush here, this cover is tarnished by some feeble typesetting. But lets clone stamp that out of the way and concentrate on the artwork. Judging by the creatures sinister almost demonic appearance I’m guessing this could be the work of Wayne Barlowe or possibly Chris Achilleos, both masters in the art of fashioning evil looking winged reptilian beasts. It may well be however that it’s the work of someone else entirely, please post if you know. Aslo are dragons actually reptilian?  If I ever see one I’ll be sure to ask.

The German title translates as ‘The Skies of Pern’ a science fiction novel by the American-Irish author Anne McCaffrey. The story is just one of a series set on the mythical world of Pern and the concept of Dragon Rider’s, hence the cover art.

Farmer Giles of Ham (Swedish Cover)

‘Gillis Bonde från Ham’ (Farmer Giles of Ham) – 1970 by Rolf Lagerson

Another Dragon here, and a swerve towards decidedly lighter material. This is cover for a 1970 Swedish edition of the  J. R. R. Tolkien children’s book ‘Farmer Giles of Ham’. Tolkien originally wrote the story of Farmer Giles and his encounters with the wily Dragon Chrysophylax (great name) back in 1939 but it wasn’t to be published until 1949.

Lovely illustration from Rolf Lagerson which I came across by chance whilst pin-balling around various Pinterest boards. Drilling through to source to uncover ‘s wonderful Illustration blog ‘Animalarium‘. Animalarium put simply is a a vast resource of illustrated animal imagery, best summarised by it’s own simple strapline: “Animals as an endless source of creative inspiration”.

Check it out: www.theanimalarium.blogspot.co.uk. Also worth a look a collection of Rolf Largerson’s Illustration at Flickr.

Dean Ellis - The Tar-Aiym Krang

‘The Tar-Aiym Krang’ art by Dean Ellis 1972

Back up to Sci-Fi and here’s another taster from a prolific genre Illustrator, the late Dean Ellis. I believe this is the seventh appearance on Sci-Fi-O-Rama of an Ellis Illustration, all are characterised with a highly distinctive almost classical style, similar in many ways to the work of space art pioneer Chesley Bonestell. Beautiful renderings of distant worlds and the inky black star-fields the lay within, Ellis’s work is a wash with soft hues and subtle shading.

If it’s your first time viewing a Dean Ellis cover I certainly recommend taking the time to study more
www.sci-fi-o-rama.com/category/artist/dean-ellis

The book itself; ‘The Tar-Aiym Krang’ sounds like your classic space opera fare, and centres on young orphan and thief  known as ‘Flinx ‘ who comes cross a fabled star map…

Empire Of The Atom

‘Empire of The Atom’ 1974 (Designer Unknown)

An interesting typographic solution with a smart colour schemes forms the cover for a 70′s edition of Van Vogt’s 1957 novel. Empire of the Atom caused something of a stir at the time due to similarities with Robert Graves’s Claudius stories. Having read neither, I couldn’t possibly pass judgement! Slick graphics though proving minimal jacket sleeves such as these can have just as much impact…

***

Well once again, what started out as mini post idea and a brief scan through Flickr has completely snowballed out of control into another creaking behemoth type article. This one is playing out like a Sci-Fi-O-Rama Who’s Who, and there’s of course many more artists I can and will feature. However, I’m slightly conscious of post length and attention spans, not least of which my own! so I’m going to sever the post here and conclude with a Part 2…

In the Meantime, be sure to check out the following resources….

The Art of Penguin Science Fiction

Sci-Fi-O-Rama Flickr Favourites

Flickr Sci-Fi Books Pool

Back soon….

 

Kilian Eng (1) Selected Works + Interview

Nov 20th, 2011 | Categories: Graphics | Horror | Illustration | Kilian Eng | Psychedelic | Sci-Fi

Kilian Eng - Sci-Fi-O-Rama

OK, as promised, I’m very proud to present an exclusive Sci-Fi-O-Rama feature, this time with Swedish Design and Illustration superstar Kilian Eng. Here we have a total tour de force of the imagination, gloriously twisted, washed in 80′s technicolor and blending only the very finest Sci-Fi and Fantasy references…

I’m quite sure you’ll be familiar with Kilian’s work, he’s built a considerable following since first proliferating through the major design/illustration blogs. Interestingly it was in fact Dan McPharlin that first put me onto Kilian with a post over at But Does it Float, and I’d put these two in the same bracket, pretty much the finest contemporary Science Fiction Illustrators on the planet. Another totally enviable fact is just how prolific Kilian is, check his primary portfolio site at behance.net/KilianEng for a vast array of interstellar work, amassed in just a few years.

So then, in the tradition of the Sci-Fi-O-Rama interview I have set the post up as follows, firstly a selection of Kilian’s work with my notes, then the interview we traded via email, before finishing on a selection of links and further reading. Lets start then with the notes:

Above: This wonderfully surrealistic illustration typifies Kilian’s portfolio, it’s a truly beautiful style that obviously pays homage to French masters such as Moebius and Enki Bilal. For me what really sets this work apart from others is just how hardcore the imaginative elements are – totally out there – a fusion of the surreal, the psychedelic and the technological, re-birthed with just the slickest style. The fact that the above image could easily work as a fashion illustration serves to underline that.

Kilian Eng - Sci-Fi-O-Rama

Above: This example highlights several of Kilian’s clever design traits. Firstly we have a lovingly balanced colour palette, subtly and carefully diffused to give a sense of depth. Next up, edginess – this work is the Sci-Fi definition of it – often tinged with darkness as above, but brought back with a wry sense of humour with nods to the 80′s cartoons that thrilled a generation. Ultimately though, the defining ingredient is the otherworldly factor, totally unforced, it’s the product of a powerful, wandering mind.

Kilian Eng - Sci-Fi-O-Rama

Above: Love this! A more graphical element is deployed here in one of the most striking examples from Kilian’s portfolio, thus one of my absolute faves.

Kilian Eng - Sci-Fi-O-Rama

Above: A follow up to the prior Illustration, indeed this is actually part of a set of four, check the other two here: behance.net/gallery/Various-work-05/1134721 …what to say, wonderful stuff!

Kilian Eng - Sci-Fi-O-Rama

Above: This frenzied, sinister illustration shows Kilian at his most detailed and linear, note the carefully selected tones, only 5 or so colours to define the background – cloud or cave?  – there is something of a feel of Fighting Fantasy’s Russ Nicholson here.

Kilian Eng - Sci-Fi-O-Rama

Above: We move once more onto the surreal tip here, this fabulous, dreamlike image forms part of a small series called ‘The Statue’ check the rest here: http://bit.ly/vFW9Ae

Kilian Eng - Sci-Fi-O-Rama

Above: This image is just one of many, fantastical environments Kilian is able to – seemingly – effortlessly create.

Kilian Eng - Sci-Fi-O-Rama

Above: In addition to his linear drawing and the graphical facets, Kilian also is capable of working in this quintessentially 80′s ‘Robo’ mode – note the much heavier diffusing and neon glows. It’s a style that looks almost effortless (though trust me it isn’t!) and again mixing in the Sci-Fi and Fantasy creates something truly haunting.

Kilian Eng - Sci-Fi-O-Rama

Above: Another rendering in the aforementioned ‘Robo’ mode. As usual it’s mind bending stuff, suffice to say it’s another personal fave, would love to see this entity in motion.

So that brings to a close my small selection (bonus after the interview). As I alluded to earlier I’ve barely scratched the surface so if it’s more imagery you seek, head directly to behance.net/KilianEng

**

INTERVIEW

Hi Kilian, tell us a little bit about yourself?
I’m a 29 year old illustrator and live in Stockholm/Sweden. My commercial work as an illustrator began around 4 years ago when I started to do record covers for bands in the electronic music scene. However I had been drawing on my own stories long before and exploring different sides in my work. My education was at Konstfack, University of Arts Craft & Design in Stockholm at the graphic Design & Illustration department which is also called storytelling at Master’s level. From there I graduated in 2010 with an animated short film and I have continued to work on this afterwards so its soon to be completed.

You have a very distinctive style, how would you best describe your work?

Well its perhaps easier for others to put a label on it but I would say something like “often rich in colour with a surreal sci-fi approach with alot of focus on environments and architecture”. Perhaps not exactly what I would say if someone asked me on the street, but I hope it explains something of what I do.

Your portfolio oozes Sci-Fi and Fantasy references, but is there a visual style/genre you identify with more than others? (ie Cyberpunk, Post Apocalyptic, Surrealist?)
I would say that all those themes visit my work from time to time. Its always hard and certainly not necessary to sort out exactly what takes place in the pictures but I would say that a rather surrealistic approach often comes back, both in motive and the way that some work is being created. Surrealism is of course a huge area with limitless approach, but for me some of the best moments in the work process is when the subconscious is allowed to take part. It doesn’t happen too often but from time to time things just go almost by themselves and you can create like 5 pieces without thinking or analysing the process. Afterwards you start to put in the meaning and you try to understand what it is you have in front of you. At that point you can start to see explanations and the meaning or at least hopefully something that can be interesting to look at. When I do commissioned work I plan it much more and think about what kind of themes/genre I want to include, there you have to respect and be aware of the expectations from others on the outcome.

Do you work straight to screen (via Wacom) or does part of your workflow still involve pen and paper?
At the moment almost all of my work is drawn with the Wacom board, some exceptions are black and white outline illustrations that i scan and the color in the computer. Then I draw a lot of rough ideas in the sketchbook offcourse.

And following on from that, which part of the creative process do you enjoy the most?

I love to create shapes and plan the composition and space in images so I would say to build the environment where everything takes place. If you look at a lot of my work your can see that many times it puts focus on the room, often the surroundings are dominating the image and the character’s just passing trough or standing there without really doing anything, just taking in whats around them.

What are you working on at the moment? anything exciting coming up?

I’m just finishing a commission as concept designer for a sci-fi short film, the details around this project is still top secret but I have a very good feeling about the whole thing.  Other than that I’m doing some cover artwork and trying to develop and improve my work with animation. Then there wil be a little book with my work in preparation. It will hopefully be available in december this year. (Sci-Fi-O-Rama says, more on this soon!)

**A couple Sci-Fi-O-Rama generic question’s

What’s the best piece of Sci-Fi related material you’ve come across and been impressed by recently (book, film, artist)
As many others I’m really into H.P Lovecraft and just found out that in the 80′s a great Swedish Actor called Ernst Hugo Järegård read Lovecraft stories to tape and they are available as audiobooks. So far I have just been listening to a short preview of the reading but it sounds fantastic. What makes this so great is that I can’t think of any other actor here in Sweden who would fit better to read Lovecraft for an audience. This is of course very local as its only in my native language but it made me very happy to find out about!

Finally a follow on to the last question, any classic Sci-Fi material (book, film, artist) you could recommend think reader’s might not know of or have overlooked?
Some time ago i watched two short movies by Saul Bass and Elaine Bass called Phase IV and Quest, amazing and visually very strong films.

Many thanks Kilian!

**

Final Notes:

Before we finish up here’s a essential follow up links, Kilian’s portfolio site behance.net/KilianEng his Tumblr: http://dwdesign.tumblr.com/ and a link here to his Facebook Page.

Finally Kilian has very kindly took his own visual spin to our Sci-Fi-O-Rama logo! here it is, with the artist at work!

Kilian Eng - Sci-Fi-O-Rama

More from Kilian soon…

Special Feature: Mondo

Feb 13th, 2011 | Categories: Graphics | Horror | Illustration | Interview | Low Palette | Movie | Retro | Sci-Fi

Mondo - Empire Strikes Back

Mondo - Holy Mountain

Mondo - The Thing

Mondo - Alien

Here’s a special feature I had planned to run before my break, but managed to trash a bunch of email and thus the interview! all I can say is an extremely big thumbs up for Jobs and krew for OSX’s Time Machine – without doubt it’s greatest asset…

So then for this piece I’ve grabbed just a taster selection from the Mondo back catalog, I’ll add some notes on those in a moment, then run the Q&A kindly supplied by Mondo’s creative director Justin Ishmael. First up though here’s some background information….

Mondo is the collectible art boutique of the Alamo Drafthouse. If you’re not familiar with the theater, it’s a world-renowned cinema eatery and has been named the “best theater in America” by Entertainment Weekly. The Alamo Drafthouse is based in Austin, TX and there are currently 10 theaters in Texas and Virginia, with plans to expand nationwide. The Alamo Drafthouse derives its reputation from it’s incredible programming. Mondo creates the poster artwork for special Alamo Drafthouse events (see the examples from the nationwide Rolling Roadshow tour, a yearly event where Alamo Drafthouse goes on the road to show famous movies in famous places — http://trailers.apple.com/trailers/events/rollingroadshow/). And in addition to creating posters for Alamo Drafthouse screenings/events, Mondo also has acquired licenses for properties like Star Wars, Star Trek and Universal Monsters. They work with artists across the world to create original works of art that are screen printed, hand numbered and limited to small quantities for collectors.

See more (and buy) at www.mondotees.com or for all the latest news check their excellent, regularly updated blog.mondotees.com

Some quick notes then on the featured posters here; 3 of the greatest Sci-Fi Movies ever made and one the strangest (no prizes for guessing which that is!).

Top: “The Empire Strikes Back” 1980, Directed by Irvin Kershner. Without doubt the greatest of the Starwars Trilogy, absolutely love this interpretation by Tyler Stout so cool it actually includes Boba Fett not once but three times, superb!.

2nd top: “The Holy Mountain”. This beautifully rendered screen print by Florian Bertmer perfectly captures (or suggests) the tone of this  nightmarish, psychedelic extravaganza, directed by Alejandro Jodorowsky in 1973.

3rd top: “The Thing” By John Carpenter 1982. More astonishing artwork from Tyler Stout this time for perhaps my favourite ever Sci-Fi Movie, well it’s this or Aliens. Love the composition here, featuring every member of the films all male cast, would absolutley love a copy of this, but alas, it’s long since sold out!

Bottom: “Alien” an extremely sinister interpretation of Ridley Scott’s 1979 sci-fi/horror masterpiece, this poster lovingly crafted by Australian Ken Taylor, also available in glow in the dark inks!

** Interview **

Q: How longs Mondo been going and when/How did you get involved?

We’ve been going for about 5 years or so. I took over at the beginning of 2009. There are three of us that run the company creatively. Myself, Rob Jones and Mitch Putnam. We all come from different backgrounds so it really helps with deciding what projects we take, what artists we get, etc.

• What’s your day to day role with Mondo involve?

My day to day is pretty time consuming. I am technically the creative director, but I run the backend and all of the social networking stuff, number all of the posters, negotiate all of the deals, talk to studios, etc. We all wear many hats at Mondo as we’re a relatively small company.

• What’s been the highlights of 2010 for Mondo? any favourite pieces?

Well, 2010 has been a breakout year for us. We really got on some good projects like Universal Monsters, Star Trek, Star Wars, etc. We also go to work on some big movies like IRON MAN 2 and SCOTT PILGRIM. Personally, I think it’s cool when we get to spotlight smaller movies like THE HUMAN CENTIPEDE or MONSTERS. Most of the general public doesn’t know what those movies are because they’re not getting advertised during commercials of TWO AND A HALF MEN or whatever, so I like to think that we can help spread the word by doing a poster for them. I also really love the Universal Monsters series. I have a DEEP love for those films, so it’s really cool to open your inbox and see an image you’ve never seen before for something that is so iconic and recognizable.

•  And what’s lined up  for 2011

Well, 2011 as it stands right now looks like it will be bigger than 2010. We have A LOT of projects lined up right now and a lot of things pending. One of the most exciting things is the Director Series we just started with Guillermo Del Toro. We have about two or three other big name directors lined up right now, so it will be a fun thing to do every once in a while for 2011. Plus, we’ve signed some new contracts for licenses…it’s just a lot of secret things that I can’t share. haha

•  Any particular type of SciFi/Horror/Fantasy that you feel particulary drawn too or aligned too (personally)?

Those are my favorite genres, which is weird because I was born in ’84 so I really grew up in the 90′s and watched nothing but action movies. My grandfather is the one that got me into sci fi movies. I remember the first time I watched PLANET OF THE APES so clearly. The scene where they catch Heston in the net and he says the “Get your paws off me” line I said “WOW” aloud. That was such a happy day for me.

I didn’t start watching horror until I was a junior in high school. Now it’s full blown. One of my favorite movies is a mixture of sci-fi/ horror and it’s called THE DEADLY SPAWN. I actually got a half sleeve tattoo of it a few years ago because I like it so much. I highly recommend that one.

Some of my faves are the POTA series (especially Conquest), DUNE, ALIEN PREDATOR, LOGAN’S RUN, INVASION OF THE BODY SNATCHERS ’78, GALAXY OF TERROR, EQUINOX, etc. I could go on and on. I have to say that some modern sci fi movies have been really amazing. MOON is one of my all time favorites now and I also really enjoyed DISTRICT 9 and MONSTERS.

I really like to follow movies because of who did the special effects or designed things. Rob Bottin (The Thing), Dennis Muren (Equinox, Dragonslayer) , Richard Edlund, Moebius, Giger, Rick Dunn, John Dykstra, Syd Mead, and on and on. They are some of the coolest people on the planet. These dudes are my rock stars. It’s kind of like how some people would’ve thought Axl Rose was an ultra badass back in the day, I think that way about Muren and these guys. If they had posters, they’d be up on my walls. I watched a live streaming conference with Dennis Muren one time online and it was like two hours long. I would LOVE to meet these guys some day.

Oh, and Harryhausen….but, that could take an interview up all by itself.

•  Do you have (or what would be your) a wish list of other artist you’d like to work with and why? (living or alive)

Nobody knows this, but we were talking to Frank Frazetta about a year ago. We were really close to making something happen. I was really sad when the word came through that he passed away. I really loved and respected his work. Actually, as I type this I have a Death Dealer ring on that I bought from his gallery. I also want to work with Moebius and Dan McPharlin. You’ve profiled Dan a lot on the site and also Moebius. We’ve got projects in mind for both of them, so it’s just a matter of getting ahold of them and pitching it. Moebius is legendary. Better writers have dissected his work, so I won’t go too deep, but I love Arzach. I found the paperback with all of them collected and also started buying the original Heavy Metal books. I think I have 1-10 right now. Someday, I’ll buy the Metal Hurlant versions, too. That art was so amazing and to this day still holds up. I would be blown away if the dudes doing the new HEAVY METAL movie did an Arzach story. How nuts would a Fincher directed Arzach movie be?

Dan McPharlin was a guy that I liked, but just figured it was some art from the 60′s or 70′s. Then, I downloaded THE SWORD’S album and saw the cover and made the connection. We have about three things off the bat that we would immediately put him on that he would be 100% perfect for. His landscapes are gorgeous and I love what he does with his characters. There is a piece in particular where it’s a spaceman riding a horse with a helmet on. It’s one of my favorite images of his.

• Finally can you point readers in the direction of obscure SF/Horror/Fantasy they might of missed?

So, the main movies I watch are sci-fi and horror and I highly recommend these seldom seen gems.

THE DEADLY SPAWN
FORBIDDEN WORLD aka MUTANT
GALAXY OF TERROR
LIFEFORCE
THE HIDDEN- Drop everything and watch this…now.
SORCERESS
FIRE AND ICE (Buy the Blue Undergound disc for the awesome Frank Frazetta doc called Frazetta: Painting With Fire)
TIME MASTERS
MOEBIUS: REDUX
EQUINOX (Directed by SFX god Dennis Muren)

If you’d like me to give more detailed little snippets of why I like these, I’d be happy to, but seriously….all of these movies are AMAZING!

** Many thanks Justin! oh and I totally agree there on The Hidden!

© 2013 Sci-Fi-O-Rama. Powered by Wordpress,this mobile responsive theme will be availble soon!