After an exceptionally long gap between posts, Sci-Fi-O-Rama finally returns with new material. Apologies for the extended state of dormancy, life gets in the way sometimes.
Let’s then not dwell on the forlorn and instead nuke 2015 with another flyby of master-craftsman and styrene alchemist Grant Louden AKA Betelgeuse.
Once again apologies for the brief pause in posting, and the slow response to emails going to try and catch up this week/weekend. Actually part of the last month’s break has involved work on a Sci-Fi-O-Rama spin-off project with Dan McPharlin, more on that in a moment, first here’s the lowdown on this article…
Kind of a quick post this one whilst I’m prepping some more wholesome material, I had intended to run this on the 29th of March as that was, in fact, Sci-Fi-O-Rama’s 3rd birthday, but alas didn’t get time! Anyway so for no particular reason other than it was at the top of the stack here’s another hyper-real selection of Hajime Sorayama’s masterful, airbrush craftsmanship. A few notes:
First of I’m embarrassed to say I’m actually not sure of the titles here as these images are via the Hungarian Fantasy/Erotic Art bunker known as http://www.net-cafe.hu/ I do own a Sorayama book, but it’s in storage, so if you know how many are
A return to rip-roaring, full on Sci-Fi Illustration here with 3 samples from the vast portfolio of Welsh Artist Jim Burns (born in Cardiff, April 1948). Jim’s enjoyed a long highly successful career since graduating from London’s St Martins School of Art in 1972, and has an instantly recognisable style, he was also one of the major contributors – along with other British artists such as Angus Mckie, Chris Moore and Peter Elson – to the highly popular Terran Trade Authority series of books, published back in the late 70’s. Other career high points include working with Ridley Scott (also a St Martins Graduate) on his 1982 Sci-Fi Film Noir BladeRunner, and winning the
Ok something of a bit of an exclusive here, from a contemporary Artist & Illustrator I’ve long admired – Brighton based Jasper Goodall (UK).
I first came across Jasper’s work as a design student around the turn of the century, his work prominently featured in Angus Hyland’s seminal “Pen and Mouse: Commercial Art and Digital Illustration” the book that triumphed traditional Illustrations transition into digital and thus the 21st century. It may seem strange now but once upon a time traditional illustration was in it’s death throws, out in the cold, superseded by saccharine layers of cheap and nasty Photoshop/Stock imagery that thanks to lazy graphic design had (horrifically) risen
Ok Before I start must confess to a bit of stage fright as It’s so long since I’ve actually posted anything!
This superbly executed airbrushing is a follow up to Adrian Chesterman -Tiger! Tiger! another gorgeous (if warped) Penguin SF Book cover that dates from 1979. What I really love the sinister styling and precision Adrian’s deployed in nailing this twisted composition, a fitting feature to kick off the Sci-Fi-O-Rama reboot…
Too see more of british artist Adrian Chesterman’s versatile and extensive portfolio check his new website http://adrianchesterman.com and in addition his older site: http://www.chestermanart.com
These powerful, minimal designs with a Fauvist-like palette are a small selection of the art of Eyke Volkmer a German Graphic Artist/Illustrator. During the 60’s & 70’s Eyke worked closely with publishing House Wilhelm Goldmann, and during this period produced a total of 162 airbrushed covers for the SF series “Goldmanns Weltraum Taschenbücher” and another 70 covers for the series “Goldmanns Zukunftsromane”, his publisher once remarked to Vokmer: “It doesn’t look like that in outer space.” but encouraged him to follow and develop his unique and prolific style.
You can see the full set of “Weltraum Taschenbücher” covers at covers http://www.weltraumtaschenbuch.de and there’s a full bio on Eyke here: http://www.weltraumtaschenbuch.de/pages/eyke_volkmer.html
Many thanks to Tommi Bren for getting in touch with the link, Tommi set up the