Silence Televison - Back To The Future II

Lets start 2013 with something of a round up. A quick reality check, refresh, and splash of Eau de toilette. 

What we have here then is a brief sampler straight from the Sci-Fi-O-Rama barometer, a long awaited update on a selection of the finest, past featured contemporary artists.

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Silence Televison

We begin this post sandwiched between the wonderful work of Peruvian Designer and Illustrator Gianmarco Magnani, better known in design circles as Silence Televsion. Heading the article is a simply stunning metallic screenprint celebrating Robert Zemeckis’s 1989 blockbusting sequel ‘Back to the Future II’, a recent commission for Mondo, whom we have of course interviewed before, In fact Mondo is a common theme here as you’ll see…

The Mondo Screenprint alas is long since sold out, though I imagine as with other Mondo material they’ll circulate occasionally in eBay (set up a watched search).  What I particularly love about this DeLorean DMC-12 rendering, aside from the typical hyper detail is of course the angle, admittedly it’s a while since I last saw the film, but I can’t remember ever seeing a shot of the car at this viewpoint,

Simen Johan – Until the Kingdom Comes

Simen Johan – Until the Kingdom Comes

Simen John

Simen John

Simen John

Simen John

Simen John

Simen John

I’ve been running Sci-Fi-O-Rama seriously for over a year now and have gathered together and annotated a fairly wide range of material totalling over 200 posts (thanks for all the support!). Obviously some of the featured work I have a fondness for more than others as I’m sure you do to…

What I’m getting at is that this post then – the work of Swedish Artist Simen Johan – is, bar none, is my absolute favourite, I could simply stare at his haunting art for hours, it’s both disturbingly eerie and majestically uplifting, firing a range of emotions. You may also notice that I’ve tagged this with Horror, Sci-Fi and Fantasy – and you might think what is SF about this work? well, personally I’ve always seen the medium as spanning far beyond its conventional preconceptions of ray-guns, flying saucers and trans-morphing robots. Science Fiction is not just future gazing