The Art of Ian Miller + Interview

The Art of Ian Miller

Titan Publishing got in touch asking if I’d Interview British Illustrator Ian Miller to coincide with the launch of ‘The Art of Ian Miller’ a 160 page compendium spanning four decades.

The book put together by both Ian Miller and Tom Whyte is loaded with over 300 pieces of Ian’s totally unique work and is backed up with detailed descriptions on the creative process, inspiration and general artistic philosophy. Suffice to say It’s a must-read for any serious fantasy or sci-fi illustration aficionado. Here’s the feature.

Imagine if you will that all of science fiction and fantasy can be mapped to points and places on Earth. Take for example Ridley Scott’s vision of Cyberpunk which blends the shimmering streets of Tokyo and rain lashed gloom of Gotham against a hell like the backdrop of refineries & furnaces, a homage to England’s once mighty industrial North East, the place of Ridley’s childhood.

How then about the Post-Apocalypse? It’s difficult to think far beyond the scrub and desert wilderness of the Australian outback or the charred and tangled rubble of a Los Angeles thereafter nuclear firestorm. Destruction as defined by Messrs Miller and Cameron, it’s a vision that’s been recycled countless times.

Even Tolkien’s middle earth has it’s probable roots in the rolling hills of Lancashire (or Cheshire?), and the foreboding grey of the Welsh Mountains. All this of course re-imagined by Jackson and grand-scaled as New Zealand’s greatest ever tourist advert.

Now then fire your mind skywards and glide far out to sea to a place that only appears on only the most ancient or wildest of maps…

Below some icy archipelago, crowned by impossibly twisted peaks that pierce deep swirling clouds, constantly stirred by fast-moving winds. The cauldron howls.

Descend now through the vortices, time and scale begin to quiver then bend. Suddenly the cloud breaks into a shock wave, colours and form ripple and blur. Welcome to the ultimate gothic netherworld; a place both infinitely ancient and ultramodern in a way that far outstrips steampunk. Here vast towers aeons old form the backdrops as colossal arenas as the Teutonic Knights of chaos battle giant wooden Proto-Mechs, above baroque dragons soar and pulse fire across a nightmare-scape beyond the edge of the imagination…

This is but a taste of the realm of Ian Miller.